The Criminal Code criminalizes the publishing of or communicating false
statements prejudicial to the state.38 The elements of this crime include,
inciting or promoting public disorder or public violence or endangering public
safety; or adversely affecting the defence or economic interests of Zimbabwe or
undermining public confidence in a law enforcement agency, the Prison Service
or the Defence Forces of Zimbabwe; or interfering with, disrupting or
interrupting any essential service. Many artists have fallen prey to the use of
this section of the criminal code especially by the police force.
Another section of the law that has been used to censor freedom of artistic
expression is the one of undermining the authority of or insulting the
President.39 The ingredients of this insult law include, publicly making a
statement (words, by an act or by a gesture) which could mean even publishing
a statement in any print or electronic medium for reception by the public.
It is important to note that in most cases prosecution before the courts has
been unsuccessful, and the Constitutional Court has ruled that the provisions
used contravene the constitutional freedom of a person to express themselves.
However, censorship continues and has also had a chilling effect on the ability
of artists to develop material on political and civic affairs due to the risk of
action being taken against them by the State. Artists should be able to freely
criticise public figures without being fearful of criminal action being taken
against them. It is therefore important to advocate for the removal of provisions
that criminalise insulting the office of the President and provisions that
criminalise making false statements prejudicial to the State.
Section 96 of the Criminal Code creates the offence of ‘criminal defamation’.
Publication of a false statement about another person, intentionally or with the
likelihood that their reputation would be injured would be guilty of that
offence. This offence flies in the face of freedom of artistic expression in that a
person who packages public criticism in works of art faces prosecution merely
on the likelihood that such a message would tarnish someone else’s
38
39
Section 31 of the Criminal law and Codification and Reform Act 2004
Section 33 of the Criminal Law and Codification and Reform Act 2004
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